Fall 2026 priority deadline for transfer and graduate studies is January 5.

Fall 2026 priority deadline for transfer and graduate studies is January 5.

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Fall 2026 priority deadline for transfer and graduate studies is January 5.

Program

Our vision

Curriculum →

Mission →

Community

Who we celebrate

Faculty →

Chair →

Staff →

Students →

Work

We strive for

Recent Work →

Ventures →

News →

FAQs →

Apply Now →

Search

I'm a Designer and I Can't Draw

I'm a Designer and I Can't Draw

Winter Sun

Winter Sun

Project Description

Project Description

I’m a designer and I can’t draw is a book about visualizing ideas. Can a good designer be a bad illustrator? Through interviews with teachers on the subject of drawing, and with influential designers who discuss their sketching methods, I’m a Designer and I Can’t Draw brings confidence to design students who cannot draw. At the same time, it functions as a starting point for reflection on their roles as designers.

Links

Links

A black hardcover book with a textured cover displays the title "I'M A DESIGNER AND I CAN'T DRAW." in white, bold, sans-serif font. Below the title, in a smaller font, it reads "A BOOK ABOUT VISUALIZING IDEAS" followed by "BY MARIANA UCHOA SANTA CRUZ." The cover has a slightly distressed or worn appearance.The image shows the contents page of a book. The title "CONTENTS" is prominently displayed in blue text at the top. The page is divided into two columns. The left column lists chapter titles in black text, including "INTRODUCTION," "MILTON GLASER," "RICHARD MEHL," "SKETCHING IT OUT," "MICHAEL SURTEES," "KEITH GODARD," "MARTIN KACE," "JEFF SCHER," "KEVIN O'CALLAGHAN," "JOSH LIBERSON," "WARREN LEHRER," "JENNIFER KINON," "JAN WILKER," and "STEFF GEISSBUHLER." The right column, titled "DRAWING THE LINES," contains page numbers for corresponding sections: "08," "14," "24." The page also includes the text "THE LAST STROKE" and "VERONIQUE VIENNE" at the bottom. The page is numbered, indicating a table of contents.The image shows an open book displaying text on the left page. The text is in a bold, stylized font and includes the name "MILTON GLASER" at the top. Below the name, the text reads "JOB PRESENT AND CREATIVE DIRECTOR MILTON GLASER, PRES. ACTING CHAIRMAN OF THE BOARD, SCHOOL OF VISUAL ARTS, FOUNDED BY COLIN GLASER PRESIDENT PUSH PINS STUDIOS CO-OWNER, NEW YORK, N.Y.U. EDUCATION THE CO-OPERATION OF THE FINE ARTS ACADEMY OF ITALY." A large capital letter "L" is printed on the left page. The right page contains text divided into paragraphs and sections, with page numbers visible at the bottom of each page. The text discusses the act of drawing, referencing Milton Glaser's work and the educational context of his contributions.The image shows an open book displaying two pages. The left page features the name "STEFF GEISSBUHLER" in large, bold blue letters at the top. Below the name, a collage of brown and white paper cutouts and drawings is arranged in a grid-like pattern. The right page contains a blue letter "S" at the top. Below it, a text block begins with the word "Drawing" and continues with text that appears to be an essay or article about drawing. The page numbers 4 and 5 are visible at the bottom of each page.The image shows an open book displaying text and diagrams. The left page features the name "BONNIE SIEGLER" in blue text. Below it, a description reads: "JOB: GRAPHIC DESIGNER; PARTNER AND FOUNDER; NUMBER SEVENTEEN; EDUCATION: BA, CARNEGIE MELLON UNIVERSITY." The right page contains text that begins with "W" and continues with questions and answers related to graphic design and typography, including “Can you draw well?”, “How were your drawing classes?”, and “Did you know I could be a graphic designer?”  Accompanying these text elements are hand-drawn diagrams and notes in the margins of the right page.The image shows an open book displaying text on the left page and a photograph on the right page. The left page features the title "KEVIN O'CALLAGHAN" in large, bold blue letters. Below the title is a substantial block of text. The right page contains a photograph of a model building, primarily white with red accents, placed on a wooden floor. The model includes various interior elements, such as walls, floors, and furniture sections. Text in a smaller font appears in the top right corner of the right page.An open book displays two pages of text on the left page and two black and white line drawings on right page. The left page contains text under the heading “Could you give me an example of a project?” followed by two small drawings of postage stamps. The right page contains text under the heading “When I was on the train coming back, I started thinking things I’d be saying. It would be a reflection, we could use the type differently. I like to integrate more text into my type, like the address, or some kind of tag line. Then I thought this really good stuff. Too much address, we could use this. We could use this.” Below the text is a small drawing of a bedford post stamp.A screenshot shows a webpage titled "I'M A DESIGNER AND I CAN'T DRAW." The page includes navigation links for "Home," "Designers," and "The Book." A blue banner reads "I'm a Designer and I Can't Draw is a book." Below, a message states, "I'm a Designer and I Can't Draw is a book. And now also a blog. Here YOU can upload your own methods of sketching ideas." Instructions prompt users to send sketches to designer.cantdraw@gmail.com for upload and post comments. The page includes a "Leave a Reply" section and a "Logged in as" field with a login prompt. A Google search bar is visible at the top.A screenshot of a Facebook page displays a profile titled "I'm a Designer & I Can't Draw." The page includes sections for profile, friends, groups, events, writing, discussions, photos, and videos. Several posts are visible, including one by Mariana Uchoa titled "I'm a Designer & I Can't Draw," and another by Yoo Jooh Choi titled "Yoo Jooh Choi interesting idea." A photo of a dog is posted by "Adopt me, Love me." The page also shows an "Admins" section.A grid of square patches in varying shades of gray and white is arranged on a light gray surface. The patches are closely packed and overlap in places, with some areas appearing darker due to shadowing or thicker application. The patches are oriented in different directions, creating a dynamic and textured appearance.

Newsletter

Newsletter

Newsletter

310 East 22nd St - 5th Floor

New York, NY 10010

310 East 22nd St - 5th Floor

New York, NY 10010

310 East 22nd St - 5th Floor

New York, NY 10010

(212) 592-2600

mfadesign@sva.edu

(212) 592-2600

mfadesign@sva.edu

(212) 592-2600

mfadesign@sva.edu